Saturday, September 4, 2010

Vintage Vault: Duane Eddy’s 1960 Howard Doubleneck guitar

www.zebramusic.com your site for rock guitar lessons.


THIS FUTURISTIC JETSONS rocket ship of a guitar looks like it’s ready to blast into orbit at any time. It was made in 1960 for instrumental hit-maker Duane Eddy by a Phoenix amplifier guru named Tom “Howard” McCormick. McCormick is known for his unique amplifiers, but little is known about his guitars.

Duane Eddy was and still is the “King of Twang,” and he is most remembered for his Gretsch and Guild signature model guitars. In the late ’50s, however, he used to switch back and forth on stage between his Gretsch 6120 and his Danelectro 6- string bass. McCormick reckoned Duane needed a doubleneck that would do the same thing. Duane recalls that this instrument sounded and looked great, but he rarely used it due to its prohibitive weight.

McCormick made unorthodox amps, and this guitar is in keeping with that tradition. The necks are made of fiberglass with rosewood fretboards, and the backwards- Explorer headstocks predated Robin guitars by two decades. The pickups are super high fidelity, and the dense guitar sustains forever. Other features, such as the inside-out Strat jack mounted on the side, the six oven knobs and five switches, and the hand-milled vibrato are great reminders of an era where the future was so bright, you had to wear shades. Where are the jet packs they promised us?

Little may be known of Tom “Howard” McCormick, but this author hereby declares this guitar as the coolest guitar ever made. May the Twang be with you.

Special thanks to Duane and Deed Eddy and Teisco Del Rey.

Fallen Hero: Stevie Ray Vaughan



AUGUST 27, 2010 MARKS THE 20TH ANNIVERSARY
 of Stevie Ray Vaughan’s death. Here are some words of wisdom from the man himself, as excerpted fromGP interviews by Dan Forte (October 1984), and Matt Resnicoff and Joe Gore (February 1990).

ON HIS INFLUENCES
“I got a lot of the fast things I do from Lonnie Mack—just the ideas and the phrasing, like on “Scuttle Buttin’.” That’s dedicated to him. I got a lot of turnarounds from Freddie King.

ON HIS “BACKWARDS” WHAMMY BAR
“I noticed that when Otis Rush used a vibrato bar, he had it mounted on the top [by the bass strings], and he played upside-down. Hendrix had the guitar upside-down, as well, except he strung it regular. It seemed to me that the people who did that the best had it on top, so I moved mine. Sometimes, it does get in the way. I’ve had it tear my sleeve halfway off. It’s pretty tight, with four springs tightened all the way up.”

ON CHANNELING ALBERT KING FOR DAVID BOWIE’S LET’S DANCE ALBUM
“I wanted to see how many places Albert King’s stuff would fit. It always does. I love that man. When that album came out, Albert heard it, and said, ‘Yeah [sneering], I heard you doin’ all my sh*t on there. I’m gonna go up there and do some of yours’ [laughs].”

ON HIS STRINGS
I use a .013, a .015 or .016—depending on what shape my fingers are in—a .019 plain, and then .028, .038, .060 or .056. If I go down to a .018 on the G string, it feels like a rubber band to me. Sometimes, I literally pull the strings off. I can deaden a set of strings completely after one set, because I play them hard.”

ON RHYTHM && GROOVE
“This may be just the twisted way I see things, but it seems that rhythms used to come from things like trains, walking down the street, riding horses, and little simple engines. In this day and age, it’s more jets and conveyor belts, and there ain’t no rhythm there. People aren’t hearing it. The rhythm needs to breathe. Sometimes, the best way to get some punch out of something is to slow down right before you hit it. Kind of like a slingshot. Pow!”

ON PLAYING SOLOS
“I’m just trying to find the most tone I can get. Sometimes, I can find it, and sometimes I want to choke my amp. But then there are the nights when it doesn’t seem that I have anything to do with it. That’s the one you always play for. There have been nights when I start playing chord solos, and I don’t know any of the chords [laughs]. There have been nights when I completely lost it, and by the time it struck me, I wouldn’t even know what song I was playing anymore. Sometimes, it’s effortless, and sometimes it’s a struggle, but the chill bumps are worth it when you get ’em.”

ON HIMSELF
“I don’t consider myself a guitar hero. I just have fun playing guitar.”

The Don Felder 'Hotel California' 1959 Les Paul From Gibson Custom


The 1976 mega-hit single "Hotel California" is named on virtually every reputable list of "greatest guitar solos" that has ever been published. The whole truth is, though, that the entire Hotel California album is rife with scorching guitar work from both newcomer Joe Walsh and Eagles lead guitarist Don Felder – and Felder played all of his solos on one outstanding instrument: a 1959 Les Paul Standard.

Hired by the Eagles in 1974 to help the band make the transition from country-rock to a heavier, rock-based sound, Felder brought it on in spades, and the tone he selected to do the job is unmistakably Les Paul – fat, creamy and singing. In order to bring that sound, feel and look to a select group of players and collectors today, Gibson Custom has introduced the Don Felder "Hotel California" 1959 Les Paul, an instrument created in the image of Felder's original 1959 'Burst in strictly limited quantities. Produced as a three-tiered Limited Edition, with 50 guitars hand-aged by Gibson Custom and personally signed by Don Felder, 100 hand-aged, and a further 150 given Gibson's VOS treatment, each includes a numbered Certificate of Authenticity to record its status for posterity.

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Hand-aged examples meticulously reproduce the look of Felder's own '59 Les Paul, while VOS versions present the gently aged look and feel of a vintage instrument. All are made with period-correct specs and components, including a pair of Gibson's most accurate reproduction PAF pickups, and finished in a uniquely tinted and faded "Felder Burst" finish, formulated exclusively for this guitar. As rare and desirable as all 'Bursts are, this limited run recreates one of the greatest, and a big slice of tone history.
 
Like any great Les Paul Standard, the Don Felder "Hotel California" 1959 Les Paul starts with great wood. Gibson Custom selects figured maple for the two-piece top to replicate the look of Felder's own iconic 'Burst, and joins each set to a select, lightweight, solid one-piece mahogany back. Way beyond merely recreating the look of the original instrument, however, this maple/mahogany pairing perpetuates a tonewood match made in heaven: a best-of-both-worlds palette that gives you the perfect blend of maple's clarity, snap and bite, and mahogany's warmth, depth and richness. 

A one-piece mahogany neck is glued in with the preferred long neck tenon for superior resonance and sustain, and carved to match the neck on Felder's own '59 Les Paul Standard. Taking all this tonal goodness to your amp of choice are a pair of BurstBucker pickups, Gibson's most accurate PAF recreations to date. It's all anchored with the rock-solid pairing of a Tune-o-matic bridge and stopbar tailpiece, and topped with a set of vintage Kluson-style green-button tuners. And with a guitar that sounds and feels this good, you want it to look perfect, too. 

To get the Don Felder "Hotel California" 1959 Les Paul just right, Gibson Custom has painstakingly formulated a unique "Felder Burst" finish, which accurately matches the mellowed, sand-hued fade of Felder's own '59 'Burst. Reproduced in nitrocellulose in a hand-executed process that involves several steps, the results are then treated to either meticulous hand-aging by Gibson Custom (150 guitars, 50 of which also will be signed by Don Felder), or Gibson Custom's acclaimed VOS process (150 guitars). 

All told, it's a guitar worthy of its namesakes: one of the greatest guitar albums of all time, and player who laid down the leads that helped to make it so. All guitars come with a black, plush-lined Gibson Custom hardshell case, a Certificate of Authenticity, and full owner's manual and adjustment literature. Each also is covered by Gibson's Limited Lifetime Warranty and 24/7/365 Customer Service.
 
VOS - Felder Burst - $10,351msrp
Aged - Felder Burst - $14,115 msrp
Aged/Signed - Felder Burst - $17,645 msrp
 
For more information, please visit www.gibson.com.

Pavement Wants You to Play Guitar With Them on Jimmy Fallon

 

Pavement, the legendary indie rock band that reunited earlier this year after an 11-year hiatus, is slated to perform on “Late Night With Jimmy Fallon” on September 23 -- and they’re looking for an extra guitarist: you.

The band is offering fans the chance to audition to “be in Pavement … just for one day.”

Via the band’s Matador Records label:

Ever wanted to go to a TV taping?  One where Pavement is playing?  Stick around to try and meet the band?  Go backstage?  Watch soundcheck?  Eat their food?  Talk fantasy sports with Malkmus? Ever wanted to, you know, get your lazy ass off the couch and JOIN PAVEMENT?  Then do it, goofball.  Imagine the Twitter potential!

The label is asking aspiring guitarists to submit videos of themselves covering an “approved Pavement song.” Contestants must upload their jangly fretwork on the show’s website by September 8. Fans of the band and the show will then vote, though it’s not clear if the vote will determine who ultimately gets to play with Pave.

Hey, come to think of it, Conan O’Brien plays guitar. I know he’s more of a "Free Bird"-wheeling classic rock guy, but how cool would it be if Coco returned to his old home on “Late Night” as a member of Pavement?

Wednesday, September 1, 2010

OVATION HITS THE ROAD WITH ‘ROUNDBACK REVOLUTION’!

 
Ovation is hitting the streets and creating a revolution at Ovation dealers throughout the US…guaranteed to be a night you won’t want to miss!
Ovation’s ‘Roundback Revolution’ gives roundback loyalists and acoustic fans alike the chance to get to know the brand up close and personal. Reps from our factory will be on hand to present the history of the roundback along with the Ovation innovations that literally changed the shape of music. Perform in our “Acoustic Showcase” and get the chance to win $5000 in gear for you and your band mates. Not only that, but we’ll film your performance and feature it on ovationguitars.com, and send you home with a cool boutique T-shirt and set of Fender strings.

How does a custom Ovation sound? Any way you want it to! Just for showing up, you will be entered into a drawing to win a custom Ovation from our New Hartford, CT workshop ($5000 value). While you’re at it, bring your acoustic for a string change, courtesy of Fender Strings.

The evening will be capped off by sales specials (or as we like to say Roundback Rollbacks), product demos, giveaways and more. In addition, we’ll be showing off one- of-a-kind guitars from our factory vault…all available for sale.

Ovation’s Roundback Revolution will be at the following locations for September:
 
Wednesday
9/8/2010
Victor Litz Music
www.victorlitz.com
306 E. Diamond Ave
Gaithersburg, Maryland 20877

Thursday
9/9/2010
The Guitar Factory
http://www.myspace.com/theguitarfactory
1062 Union Road
West Seneca, NY 14244-3449
(716) 677-0908

Monday
9/13/2010
Lost Art Vintage
www.lostartvintage.com
Barrington Coffee House
131 Clements Bridge Road
Barrington, NJ 06031

Wednesday
9/15/2010
Firehouse Guitars
www.firehouseguitars.com
3125 28th Street SW 
Grandville, Michigan 49418-1199
(616) 532-3473

Thursday
9/16/2010
Sweetwater Sound
www.sweetwater.com
5501 US Highway 30 West
Fort Wayne, IN 46818
(260) 432-8176

Friday
9/17/2010
Sight && Sound Music
www.sightandsoundmusic.com
900 West McGalliard Road Suite A
Muncie, IN 47303
(765) 289-8526 (Event Location)

Monday
9/20/2010
Music Center, Inc #5365
www.musiccenterinc.com
7700 Greenbay Road
Kenosha, Wisconsin 53142
(262)697-9393 Ext 243

Tuesday
9/21/2010
Warpdrive/Cream City Music #12598
www.creamcitymusic.com
12505 W. Bluemound Road
Brookfield, Wisconsin 53005
(262)860-1800

Thursday
9/23/2010
Uncle Ike's
www.uncleikes.com
2300 John F. Kennedy RD
Dubuque, Iowa 52002
563-556-6052

Friday
9/24/2010
Uptempo Music
http://www.facebook.com/pages/Des-Moines-IA/Uptempo-Music/110492918681
2714 Beaverdale Ave.
Des Moines, Iowa 50310
515-277-0145

Monday
9/27/2010
Supersonic Music
www.supersonicmusic.com
117 SE 6th
Topeka, Kansas  66603-3505
785-235-3786

Tuesday
9/28/2010
SM Hanson Music
www.smhansonmusic.com
335 South Clark
Salina, Kansas 67401
785-825-6273

Thursday
9/30/2010
Railroad Bazaar # 7816 C
www.railroadbazaar.com
4321 University Dr. Suite A
Huntsville, Alabama 35816
(256) 721-2353

For more information, visit www.ovationguitars.com.

Vox Launches Hand-Wired Series

 
Vox Amplification has announced an entirely new lineup of hand-wired AC15 and AC30 amplifiers. Created for the amp enthusiast, the Hand-Wired Series includes innovations to satisfy the versatility a modern player needs. Included are four combo models, plus a head and matching extension cabinet. The ultimate take on the Vox classics, these amplifiers make use of high quality components, an all-tube design, hand-wired turret board construction, and over 50 years of Vox AC15 and AC30 refinements. Finished in fawn-colored vinyl reminiscent of the 1960s AC amplifiers, the birch-ply cabinets feature solid, tight bracing and a natural high frequency diffuser. Matched Ruby Tubes are used throughout for an extended dynamic range. All models provide three 12AX7/ECC83 preamp tubes.
 
The AC30 models are equipped with an EL84 quartet in the power stage and a GZ34 rectifier. Inside the AC15 models, a duet of EL84 tubes drive the power stage, while an EZ81 is used for the rectifier. The 12" speaker choices include the Celestion GM12 Greenback or Celestion AlNiCo Blue. The models in the Vox Hand-Wired Series utilize the traditional Vox two-channel design, offering a Normal and a Top-Boost channel, with High and Low inputs provided for each. A number of important features have been added to allow modern versatility. The Normal channel is equipped with a Bright switch for added brilliance. The Hot/Cool switch (also accessible via the included VFS1 footswitch) allows the Top-Boost channel to achieve even more gain. In true "old-school" fashion, the MV/BYPASS completely bypasses the Master Volume section. Finally, the Output Power (OP) switch will cut the amp's output power in half, making it easier to balance the need for gain against a range of listening levels. A custom-fit dust cover is included with every model. Learn more at voxamps.com

Slash Rocks with "Slash FM"

 
Multi-platinum-selling guitar hero Slash is synonymous with rock n' roll, and now the monster musician is affixing his signature top hat, shades to the digital airwaves with the launch of his own A.P.E. Radio station, "Slash FM." The channel announcement comes on West Hollywood's official "Slash Day"-Thursday, August 26th-which will honor the legendary guitarist and L.A. icon at the third annual Sunset Strip Music Festival. Throughout its limited-time run, beginning with its debut on Thursday, September 2nd, "Slash FM" will broadcast a wealth of exciting content, including selected playlists of some of the guitar god's favorite songs, such as tracks by AC/DC, Led Zeppelin, David Bowie, The Beatles, Soundgarden and Metallica.
 
Of course, songs from Guns N' Roses and Slash's solo work will also be aired, and punctuated with behind-the-scenes stories told by Slash himself. The August 26th tribute event at the House of Blues Sunset Strip will include speeches from Slash's close friends, a presentation from the City of West Hollywood, and live music performances celebrating Slash and his contributions to the legacy of the city's rich music scene. Immediately following the Sunset Strip Music Festival, Slash will embark on a North American tour. Slash's A.P.E. station will be distributed across Clear Channel Radio's "iheartradio" network, which includes hundreds of local radio websites; the popular iheartradio mobile app, which has been downloaded by nearly 9 million people; widgets; and www.slashonline.com.